Japanese Music – Japon Online http://japononline.net/ Sat, 18 Sep 2021 04:15:40 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://japononline.net/wp-content/uploads/2021/05/default1-150x150.png Japanese Music – Japon Online http://japononline.net/ 32 32 Chinese remember incident on September 18 in which ruling PLD in Japan turned elections into an anti-China contest https://japononline.net/chinese-remember-incident-on-september-18-in-which-ruling-pld-in-japan-turned-elections-into-an-anti-china-contest/ https://japononline.net/chinese-remember-incident-on-september-18-in-which-ruling-pld-in-japan-turned-elections-into-an-anti-china-contest/#respond Sat, 18 Sep 2021 04:15:40 +0000 https://japononline.net/chinese-remember-incident-on-september-18-in-which-ruling-pld-in-japan-turned-elections-into-an-anti-china-contest/ Visitors holding Chinese national flags are photographed in front of the 9.18 Historical Museum in Shenyang, northeast China’s Liaoning Province, September 18, 2019. Air raid sirens sounded again in the city hall. town at 9:18 am that day. The “September 18 incident” in 1931 was followed by the full-scale invasion of China by Japan, triggering […]]]>

Visitors holding Chinese national flags are photographed in front of the 9.18 Historical Museum in Shenyang, northeast China’s Liaoning Province, September 18, 2019. Air raid sirens sounded again in the city hall. town at 9:18 am that day. The “September 18 incident” in 1931 was followed by the full-scale invasion of China by Japan, triggering the 14-year war on Japanese aggression. Photo: IC

Reflecting air raid sirens in many cities, silent tributes watched by ordinary Chinese on the streets of the country, the airing of documentaries on the trials of Japanese war criminals on national television and countless messages from “Never forget” on social media platforms – China in full swing as it marks a day of remembrance and reflection: the 90th anniversary of the September 18 incident, which falls on Saturday.

Although nine decades have passed since that fateful day in 1931 that marked the start of the large-scale invasion of Japanese militarists and war crimes in China for years to come, emotions, anger and hatred remain. very keen for many Chinese people on what is widely regarded as an incident which has changed the national humiliation.

These sentiments were further reinforced by Japan’s recent provocation and hostility towards China, including questioning of China’s performance on the Taiwan issue – reflected in the chaotic Liberal leadership election campaign – Democrat (LDP), which started on Friday with candidates. appearing to argue over their rhetoric and anti-Chinese positions.

Observers said the growing outrage and outrage that will be displayed on Saturday and that has been building for months in China over Japan’s recent provocation should serve as a stern warning to Tokyo that it is on a dangerous path – if he continues to upset a China much more powerful than before.

Air raid sirens will sound in most major cities in China on Saturday. In Shenyang, northeast China’s Liaoning Province, where the incident occurred, sirens will sound at exactly 9:18 a.m. and people and vehicles will stop moving and observe a minute’s silence for pay homage, several residents told the Global Times.

“At this time, my blood is still boiling, and heroic images of Chinese soldiers killing enemies to defend the country are emerging in my mind,” a Shenyang resident surnamed Cui told the Global Times on Friday. “The September 18 incident is very important to every resident of Shenyang, so it is important to all Chinese.”

Stressing the importance of the day for many Chinese, after widespread backlash, Xi’an, in northwest China’s Shaanxi province, where the 14th National Games are being held, abandoned plans to postpone the sirens triggered and finally decided to start the air raid. sirens on Saturday.

On national television, the documentary Asia-Pacific war crimes trials, an award-winning world series that focuses on the trials of Japanese war criminals after WWII is set to be rebroadcast.

On Chinese social media, floods of Chinese internet users said the historic alarm bells were ringing and that they would not forget the nation’s humiliation. On Sina Weibo, the topic “remembering September 18” has gained an estimated 4.17 billion views at the time of publication. Another topic, the “90th anniversary of the September 18 incident,” drew 120 million views.

Also on social media, some netizens, including the fan club of Chinese girl group 7SENSES, urged fans to stop posting entertaining social media posts on the anniversary of the September 18 incident and asked fans to watch their lyrics instead.

The commemorative activities are not only aimed at residents of the Chinese mainland, but also residents of the island of Taiwan.

As the incident is a painful memory for the entire Chinese nation, including compatriots in Taiwan, mainland China will establish a new cross-strait communication and exchange venue at the Incident History Museum. September 18 in Shenyang, Zhu Fenglian, spokesperson for Taiwan State Council Affairs Office, said at a press conference on Wednesday.

Zhu said that 12 of the 82 cross-strait communication sites on the mainland are themed on the Chinese people’s war of resistance against Japanese aggression, which records the heroic struggle of the Chinese people and the great spirit of resistance to aggression.

Zhu called on compatriots on both sides of the Strait, especially young people, to visit these places, learn about the history and draw strength from it.

Many residents of the island of Taiwan have long had mistaken and confused historical values ​​and some even blindly admire Japan because the invaders forced local residents to receive education on loyalty to the Emperor of Japan during their occupation. and because the DPP authorities are constantly pushing for “De-Sinization.”

The opening of the new cross-strait exchange also came after recent sweeping rhetoric from Japanese politicians about Japan’s role in the Taiwan Strait if the Chinese mainland uses forces against secessionists on the island. Such rhetoric has already sparked widespread outrage in China.

Growing outrage

Before Saturday’s 90th anniversary, Chinese public sentiment towards Japan had already deteriorated, reflected in recent backlashes against some Chinese celebrities’ connection to Japanese war shrines.

Chinese actor Zhang Zhehan, who posed for photos at Japan’s Yasukuni Shrine, has been forced to quit the entertainment industry as many mainstream platforms have removed his films and television works, variety shows and his music.

Two weeks after Zhang’s industry ban, struggling Chinese actress Zhao Wei also faced severe backlash. She reportedly signed Zhang at her company last year. Many netizens also disclosed that Zhao wore a Japanese military flag on his costume in 2001, which sparked a wave of public criticism.

Zhao’s name has been removed from most of the works she has performed in on major Chinese video platforms, and many of the movies, talk shows, and TV series she has performed in have also been taken off the platforms.

Meanwhile, Japanese cultural products are also being boycotted in Dalian, northeast China’s Heilongjiang Province, a city that suffered invasions by Japanese troops at the end of the dynasty. Qing, including the bloody Lüshun massacre in 1894 and World War II. A Japanese-themed shopping street dubbed “Little Kyoto” in Dalian suspended operations on September 3 after it sparked controversy.

Such widespread outrage among the Chinese public shows that public goodwill towards Japan is plummeting, Lü Chao, a researcher at the Liaoning Academy of Social Sciences, told the Global Times.

If mutual public goodwill is damaged too much due to the provocations initiated by Japan, there will be less room for Sino-Japanese relations to recover, and Japan will certainly suffer more if bilateral relations deteriorate, Da said. Zhigang, director and researcher, Institute of Northeast Asian Studies, Heilongjiang Provincial Academy of Social Sciences.

The Liberal Democratic Party's presidential candidates pose at a press conference in Tokyo on Friday ahead of the ruling party's September 29 elections to choose a successor to outgoing LDP chairman and prime minister Yoshihide Suga.  The candidates used hostile rhetoric to make China a problem.  Photo: AFP

The Liberal Democratic Party’s presidential candidates pose at a press conference in Tokyo on Friday ahead of the ruling party’s September 29 elections to choose a successor to outgoing LDP chairman and prime minister Yoshihide Suga. The candidates used hostile rhetoric to make China a problem. Photo: AFP

The decline in public goodwill is a result of Japanese politicians’ increasingly hostile and radical approach to China, analysts said, pointing to the provocative rhetoric in the PLD leadership election.

Among the prominent candidates, Fumio Kishida, Taro Kono and Sanae Takaichi have shown aggressive stances towards China.

Takaichi, a former Minister of Home Affairs, has frequently visited the Yasukuni Shrine, a symbol of Japan’s militaristic past. She reportedly said she would continue to visit the shrine if elected, drawing sharp criticism from China.

Responding to Takaichi’s remarks, Zhao Lijian, spokesman for China’s Foreign Ministry, said on Tuesday that China’s position on the Yasukuni Shrine is consistent and clear and that China’s internal affairs do not accept any foreign interference. “Japanese politicians should stop making China a problem. Enough with such senseless political hype,” Zhao said.


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What’s the buzz in Pune: September 17-23 https://japononline.net/whats-the-buzz-in-pune-september-17-23/ https://japononline.net/whats-the-buzz-in-pune-september-17-23/#respond Fri, 17 Sep 2021 11:02:25 +0000 https://japononline.net/whats-the-buzz-in-pune-september-17-23/ Visual art Give your child an edge by enrolling them in an online art class to unleash your child’s creative potential. Sign up for a free demo class to find out what these classes look like and why your child should enroll. To register, go to: https://brainart.co/online-trial-art-class/ or call 9972944894 When: Friday September 17; 4:30 […]]]>

Visual art

Give your child an edge by enrolling them in an online art class to unleash your child’s creative potential. Sign up for a free demo class to find out what these classes look like and why your child should enroll.

To register, go to: https://brainart.co/online-trial-art-class/ or call 9972944894

When: Friday September 17; 4:30 p.m. to 5:30 p.m.

Where: Online

Saturday night live at High Spirits

Groove Junktion is the band in attendance this week at High’s SNL event.

For reservations, call 9890845878. All safety precautions observed

When: Saturday September 18; from 19h

Where: High Spirits, Koregaon Park

Learn how to wrap gifts faster than the traditional method with Japanese gift wrapping techniques (HT PHOTO)

To wrap up!

Learn how to wrap gifts faster than the traditional method with Japanese gift wrapping techniques. Also learn different types of bow making. Registrations are on a first come, first served basis

To register, call + 91-9818442805 or + 91-8766226974

When: Friday September 17 and Saturday September 18; 2:30 p.m. to 5 p.m.

Where: Online

The Antarnaad Kala Academy organized an online <a class=music workshop for music lovers. The workshop will be presented by playback singer Mahalakshmi Iyer. (HT PHOTO)” title=”The Antarnaad Kala Academy organized an online music workshop for music lovers. The workshop will be presented by playback singer Mahalakshmi Iyer. (Photo HT)”/>
The Antarnaad Kala Academy organized an online music workshop for music lovers. The workshop will be presented by playback singer Mahalakshmi Iyer. (Photo HT)

Music workshop

The Antarnaad Kala Academy organized an online music workshop for music lovers. The workshop will be presented by playback singer Mahalakshmi Iyer. The workshop will include voice culture, voice modulation and how to choose a career in music.

Fee: Rs99

To register, go to http://antarnaadacademy.com/workshop or call +91 8530636655

When: Saturday September 18; 4 p.m. to 7 p.m.

Where: Online

Here, write now

Curious about how to put together fiction and non-fiction stories from scratch? How do you build a solid foundation on which your story will stand and grow? How do you build characters that readers and audiences alike will never forget? How to create moments of love and breakthroughs? It is the most popular creative writing event in India.

To register, please email: story@talltales.in

When: September 18, 19; 10 a.m. to 2 p.m.

Where: Online

Sing a story

What does it take to tell a story? Why not sing the story?

The workshop will explore a simple way to look at the tone of folk singing and draw energy from our collective memories to create simple stories in a way that can be sung both in English and in our local languages. There will be simple voice-based exercises, creating improvisational stories, and participants will have a story song at the end of the workshop.

To register, call 8971492903.

When: Saturday September 18 from 11 a.m. to 1 p.m.

Where: Online

Tell virtual stories

Who doesn’t like a good story? We may not remember the facts or the names, but these are the stories that stay with us forever! A storytelling session with Dr Pavithra Priyadarshoni. After the storytelling session we will also play some fun interactive games

Fee: Rs 1,500 per person (includes storytelling session + interactive games)

To register, send an email to info@heartandsoulevents.in

When: Sunday September 19; 6:00 p.m. to 8:30 p.m.

Where: Online

Content writing

In this workshop, you will learn the basics combined with content writing techniques to give you an overview of the different types of content writing. This is a beginner-friendly workshop for participants who want to learn the basics and techniques of content writing.

To register, call 080-954 77 222/09606858851

When: Sunday September 19 from 10 a.m. to 1 p.m.

Where: Online


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Eric Clapton’s Summer Sets, Motorhead, more https://japononline.net/eric-claptons-summer-sets-motorhead-more/ https://japononline.net/eric-claptons-summer-sets-motorhead-more/#respond Thu, 16 Sep 2021 13:54:34 +0000 https://japononline.net/eric-claptons-summer-sets-motorhead-more/ Summer is usually the time for new albums, not reissues, bulky box sets, and extended archive versions. Things usually pick up in the fall, when most people are gearing up for the holiday season with these often expensive, fan-oriented collections. Still, the past three months have seen some superb reissues and archival sets for fans […]]]>

Summer is usually the time for new albums, not reissues, bulky box sets, and extended archive versions. Things usually pick up in the fall, when most people are gearing up for the holiday season with these often expensive, fan-oriented collections.

Still, the past three months have seen some superb reissues and archival sets for fans of all genres, including a new box from R&B legend Ray Charles, an expanded album by Eric Clapton, a record by rare concert by singer-songwriter Laura Nyro, a chunky-up version of one of Motorhead’s best albums, an expanded edition of the soundtrack to one of the most popular rock’n’roll movies of the 25 years and a revised version of one of the greatest reggae compilations ever released.

The seven sets detailed below in our summer 2021 re-release rundown are not for the curious. Each release penetrates deep into a specific era or style – Charles and reggae boxes aren’t final and really don’t aim to be – while also covering more than the hits and favorites you’d expect.

And that’s pretty much the key to the reissues below. They offer extensions and further explanation of what made artists or, in a few cases, a particular style of music so important back then and why they are still so important today.

Ray Charles, True genius

What it is: Not quite the promised “Ultimate Ray Charles Collection”, as none of his flagship documents from the 1950s on Atlantic are here. But the great R&B continued to make excellent records after that time. These are the ones we find on this box of six discs.

What’s on it: After his split from Atlantic in the early 1960s, Charles went on to make classic LPs like Genie + Soul = Jazz and two volumes of Modern sounds in country and western music. This period rightly gets ample space here.

Best song you know: “Georgia on My Mind” and “Hit the Road Jack” were big hits and rank among Charles’ all-time greats. They come early True Genius, which ends up culminating in subsequent duets with Billy Joel and Norah Jones.

Best Song You Don’t Know: Unpublished songs from a 1972 concert in Stockholm make up the final record, and they are an excellent reminder of Charles’ legacy. He rips with force the first hits “What’d I Say” and “I’ve Got a Woman”.

Eric Clapton, Eric Clapton – Deluxe Anniversary Edition

What it is: Clapton’s debut solo album, from 1970, receives the deluxe treatment in a four-CD and one-LP box that highlights the record’s various mixes, including the British original by Tom Dowd and another by Clapton himself. same.

What’s on it: The mixes will attract longtime fans to Eric clapton, but it’s the singles, alternate versions and session takes record that has the most appeal here. Delaney and Bonnie Bramlett and the great saxophonist King Curtis make appearances.

Best song you know: A cover of JJ Cale’s “After Midnight” helped launch Clapton’s solo career after gigs with John Mayall’s Yardbirds, Bluesbreakers, Cream, Blind Faith and Derek and the Dominos. Delaney Bramlett’s mix gives it new life here.

Best Song You Don’t Know: Clapton’s LP mix was never heard in its entirety (only one song was incorporated into the Dowd-oversen original), so his version of his favorites like “Blues Power” is personal. The 10-minute “Blues in ‘A'” release jam keeps its promises.

Laura Nyro, Living in japan

What it is: This concert album was only released in Japan in 2003, six years after the Bronx-born singer-songwriter died of ovarian cancer. The 21 career-spanning songs are mostly from a 1994 performance at Kintetsu Hall, along with others from On Air West.

What’s on it: In addition to their own songs (like “And When I Die”, “Save the Country” and “Wedding Bell Blues”), the Rock & Roll Hall of Famer covers classics like “Dedicated to the One I Love”, “Ooh Baby Baby “and” Walk on By “. All of them are exquisite.

Best song you know: Unless you picked up Living in Japan As an import in the 18 years since its release, these versions are probably brand new to you. Nyro’s covers on “And When I Die” and “Wedding Bell Blues” remind you of his greatness.

Best Song You Don’t Know: The opening cover of “Dedicated to the One I Love” by Les Shirelles is reminiscent of his classic 1971 album with Labelle, Go do a miracle, in which the artists teamed up to pay homage to some of their favorite songs from the early ’60s.

Motor head, No Sleep ’til Hammersmith Gift Set

What it is: Motorhead’s 1981 concert album wasn’t just a quick cashout; it helped establish the band’s fan base among punks, metalheads, and old-school rock ‘n’ roll fans. This 40th anniversary set develops that room-shaking sound.

What’s on it: The original recording has been remastered and extended with more songs including soundcheck recordings. The best part: The three shows that Black-smith was shot (none actually in Hammersmith) are here in their entirety.

Best song you know: Classics like “Ace of Spades”, “Overkill” and “Bomber” were among the highlights of the 11-song LP. These are still the must-have pieces in this four-disc set. And yes, there are four killer versions of each to choose from.

Best Song You Don’t Know: The bonus tracks expand the set list a bit, but an already released “Train Kept A-Rollin ‘” and an unreleased soundcheck recording by Overpowered“Limb From Limb”, none of which has done the shows, is fiercely fast and awesome.

Buck Owens Reissues

What it is: Nine albums by the late country legend, recorded between 1968 and 1974, in a newly remastered form, update these recordings for digital formats for the first time. The sound is pristine, like many of the times, although some of the music may be dated.

What’s on it: Owens helped create the sound of Bakersfield in the early 1960s, when his records consistently reached No. 1 on the country charts and won him fans like the Beatles, who covered “Act Naturally”. This last period has not been so stable.

Best song you know: “Tall Dark Stranger”, from the 1969 album of the same name, reached number 1. As did “How Long Will My Baby Be Gone” (Sweet Rosie Jones) and “Made in Japan” (In the palm of your hand). Other LPs also had Top 10 hits.

Best Song You Don’t Know: None of the re-releases are extensive, so no bonus tracks here. But since they’re all debuting on CD, most of the deep cuts are probably unfamiliar. Check out his 1974 cover of the Rolling Stone.

Various artists, Almost Famous Extended Soundtrack

What it is: The soundtrack to one of the best rock movies of the 21st century is getting a major overhaul. Five CDs include demos from the fictional band from the film Stillwater and excerpts from Nancy Wilson’s original score of Heart. Oh, and a lot of classic rock.

What’s on it: Songs from some of the biggest and best artists of the era are here, including the Allman Brothers Band, David Bowie, Jimi Hendrix, Led Zeppelin, the Who, Yes and Neil Young. It’s a great playlist on its own, while also serving as a movie promo.

Best song you know: Really, pick any track here, but it’s Elton John’s “Tiny Dancer” who got new life in Almost known thanks to a famous scene in which an entire tour bus erupts into a merry song, which stands out. A truly iconic cinematic moment from the 2000s.

Best Song You Don’t Know: New versions of “Amazing Journey / Sparks” by Who, “Reelin ‘in the Years” by Steely Dan and “Cortez the Killer” by Young are all exclusive to this set. And some of those Stillwater demos are pretty good.

Various artists, The Story of Troy

What it is: The 50th anniversary edition of one of the first (and still the best) reggae collections revises its track list a bit to take into account some copyright concerns, but all three discs still contain some of the greatest Jamaican music never made.

What’s on it: The 1971 anthology brought together four dozen songs (it’s even 50 now) by many of the reggae pioneers on the Trojan Records list. Legends like Jimmy Cliff, Desmond Dekker, Lee “Scratch” Perry and the Maytal are all there.

Best song you know: The Maytals’ 1969 single “Pressure Drop” received a bigger boost in 1972 when it was included in the groundbreaking film. The more they come soundtrack. It remains one of the greatest songs ever recorded in any genre.

Best Song You Don’t Know: Dandy Livingstone’s “Rudy, a Message to You” was a small success in 1967. A dozen years later, the Specials pretty much kicked off their careers with a slightly renown UK Top 10 cover. Inspiration is obvious.

20 best albums of 2021 (so far)


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Japanese Breakfast on the virtues of the cover of “Under Pressure” by Karen O and Willie Nelson https://japononline.net/japanese-breakfast-on-the-virtues-of-the-cover-of-under-pressure-by-karen-o-and-willie-nelson/ https://japononline.net/japanese-breakfast-on-the-virtues-of-the-cover-of-under-pressure-by-karen-o-and-willie-nelson/#respond Tue, 14 Sep 2021 22:12:57 +0000 https://japononline.net/japanese-breakfast-on-the-virtues-of-the-cover-of-under-pressure-by-karen-o-and-willie-nelson/ The 5 O’Clock Shadow is two versions of a song, and today we have a special guest, Michelle Zauner, lead singer of Japanese Breakfast. Hello, Michele. Hello. How are you? I’m genius. You are play Milwaukee this Friday at the Turner Hall Ballroom. I am. Very excited. And you have shade suggestion for us. So […]]]>

The 5 O’Clock Shadow is two versions of a song, and today we have a special guest, Michelle Zauner, lead singer of Japanese Breakfast. Hello, Michele.

Hello. How are you?

I’m genius. You are play Milwaukee this Friday at the Turner Hall Ballroom.

I am. Very excited.

And you have shade suggestion for us. So what’s the song? What is your shadow?

Well the song is “Under Pressure”, famously sung by Freddie Mercury and David Bowie. And I think last year I saw that Karen O of Yeah Yeah Yeahs, my all-time hero that I talk about a little bit in my book, “Crying in H Mart”, did a cover of “Under Pressure “with Willie Nelson. And I think at first glance, when I saw that they covered that song, my first thought was like, “It’s bold”. You take like the two greatest performers of all time, and just the most iconic song, and you dare to cover it. But of course hearing Karen O with Willie Nelson, I mean, this is the couple you never thought you needed.

Peter Ash Lee Japanese breakfast | Courtesy of the artist

What memory is attached to the original song for you?

Well I would say my family didn’t listen to so much music growing up except the biggest of the biggest. So my dad would have Fleetwood Mac CDs. We had Motown compilations and then there was Queen and I feel like I grew up with these three main artists. Well I know Motown is like a lot of different artists.

But I feel like the only music that I really grew up listening to that came from my parents before I formed my own musical tastes, and so I know Freddie Mercury very well and I just… to be a kid and dancing Queen, and belt Queen with my parents, and I just feel like they’re such a beloved band that probably a lot of people my age listen to with their parents in their childhood, just like a song so perfect and undeniably awesome.

What does Karen O give to the song “Under Pressure”?

I think Karen O has just that quiet, intimate power that is so unique to her voice, delivery, and performance. It takes the song that’s like… Requires some really fierce vocal chops and attacks it just in this totally different way. I mean, I was really surprised when I heard this song slowed down and delivered in this very different kind of emotion that I never expected.

This is my favorite type of cover, is when an artist can take that untouchable song that you think can’t be improved upon, and make it whole, and you’re able to enjoy it that way. totally different.

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I would like to thank the Academy Museum for my fantastic Oscar https://japononline.net/i-would-like-to-thank-the-academy-museum-for-my-fantastic-oscar/ https://japononline.net/i-would-like-to-thank-the-academy-museum-for-my-fantastic-oscar/#respond Sat, 11 Sep 2021 00:15:00 +0000 https://japononline.net/i-would-like-to-thank-the-academy-museum-for-my-fantastic-oscar/ My Oscar was in sight. A producer told me where to stand. In front of me and the statuette, there was a curtain as I waited for my signal to rush onto the stage. I didn’t write a speech – of course – but several options rushed through my head. Do I keep it safe […]]]>

My Oscar was in sight. A producer told me where to stand. In front of me and the statuette, there was a curtain as I waited for my signal to rush onto the stage.

I didn’t write a speech – of course – but several options rushed through my head. Do I keep it safe and boring and limited to thanks? No, nobody wants that. I would definitely talk about the importance of getting the vaccine, that’s for sure. Then? The recent political events seemed worth discussing, and it would undoubtedly attract attention on social media… if I actually won an Oscar and not just pretending.

I was standing. “Congratulations,” shouted a museum Academy staffer playing the role of a producer as the audience swelled in front of me on a screen. The lights brightened and I momentarily narrowed my eyes as I searched for the Oscar. The crowd, a recording from an Oscar TV show at the Dolby Theater, seemed to only intensify as I breathed before beginning my gracious words of acceptance …

Uh-oh – now I could hear the music getting louder. But my speech! The importance of vaccines! The risk for the constitutional rights of women!

Los Angeles Times reporter Todd Martens holds an Oscar while enjoying the Oscars experience at the Academy Museum.

(Genaro Molina / Los Angeles Times)

I was whisked off the stage, where the Oscar was left for the next paying guest ($ 15, in addition to Academy Museum admission, for the Oscars Experience video opportunity). My brief moment in the spotlight, a two-minute simulacrum of what is a showbiz dream to many, had come to an end. I’d be emailed a snippet of my seconds on a makeshift Oscar stage, which would have to do the trick unless my life’s fate changes.

Remember the theme park or carnival souvenir photo ops that would slap a guest’s face on a popular magazine? Think of the Oscars experience as a sleek, high-tech version, in which multiple cameras will shoot a moment with professional stage lighting that seems geared towards prime time – or at least for sharing on social media. There’s an underlying purpose of promoting the Oscars, but if the lighting and framing can make the guest glamorous, so much the better.

When the Academy Museum opens on September 30, it will feature exhibits on Oscar and film history, including a deep dive into the works of Japanese animation legend Hayao Miyazaki. But the Oscars experience is an upselling venture that brings ever-lightweight theme park elements to the museum, fostering a trend of immersive entertainment that shows that even educational institutions today need to get their messages across with a few spoonfuls of sugar.

Increasingly, any attraction, museum, or art space seems ripe for the lessons of the themed entertainment industry.

“I’ve worked in a bunch of different museums for a very long time, and what I learn – the more I work there – is that we start to adapt and evolve,” says Lauren Girard of the Academy. Head of visitor services at the museum who previously held a similar role at the Broad.

“We’re starting to recognize that people learn in different ways,” Girard says. “There are people who learn by reading, people who learn by listening and then there are people, including me, who are ‘tactists’ and who want to experience something and hang on to something. an object or pull a lever. It is a valid way to learn and explore. I’m excited about the way museums rotate rather than being like, “Let me give you some information. “

Great museums have always had a theatrical air. When I was a child, the Chicago Museum of Science and Industry occupied a space in my brain similar to that of Walt Disney World, in large part thanks to his experience in the coal mines. Here in Southern California, we’re used to fantastic, larger-than-life environments, whether it’s one of our area theme parks or the Pompeii recreations of the Getty Villa – a theme park. artistic, more or less.

An Oscar rests on a podium

An Oscar sits on a podium so that visitors can lift it as if they had just won the Oscar as part of the Academy Awards experience at the Academy Museum.

(Genaro Molina / Los Angeles Times)

The Grammy Museum allows guests to experience record production, and recently the Warner Bros. Studio Tour has been revamped with theme park-like traps, including a host of interactive ‘Harry Potter’ exhibits that wouldn’t be out of place at Universal Studios’ The Wizarding World of Harry Potter. Indeed, updates to the Warner Bros. Getaway were managed by Thinkwell, a local company known for its contributions to theme parks around the world.

Thinkwell Creative Director Cynthia Sharpe started in museum spaces over two decades ago and has seen them branch out into tech worlds in an attempt to create more complete environments today. “You can’t say we’re just going to have a white box with touchscreen kiosks,” Sharpe says of modern business and public demands. “It’s not going to fly.”

Warner Bros. Marketing Director Studio Tour Gary Soloff admits new additions to the experience, including interactive recreations of the “Harry Potter” and “Batman” films, many of which are studded with actual props amid the playful photo opportunities, could fall somewhere between a theme park and a museum, indicating that the lines of entertainment and education are blurred.

Guests of Warner Bros.  Studio Tour can try their hand at mixing potions from "Harry potter" franchise.

Guests of Warner Bros. Studio Tour can try their hand at mixing potions from the “Harry Potter” franchise.

(Jason Armond / Los Angeles Times)

“I think you’re going to have more traditional experience makers who will be disappointed with [these newer experiences]”says Carissa Baker, an assistant professor at the University of Central Florida who writes about theme parks as artistic spaces.

“There was a different approach to designing these places in the past,” says Baker. “The artifact itself was the thing that mattered, but then we started to get into the background. What is the setting? I can’t think of a better example of this than Villa Getty. It is a thematic space. But these artifacts, in this space, seem more authentic, which is ironic, because they are authentic – but I feel immersed in this space, in a traditional environment that created this art.

If once we had to go to a Disney or Universal theme park, today more regional experiences – floor-to-ceiling installations by art collective Meow Wolf, which now has locations in Las Vegas, Santa, Fe, NM and Denver, or the City Museum of St. Louis – bring immersive story-driven experiences to a wider audience. This creates industry-wide pressure, where an exhibition that recreates the feeling of winning an Oscar, something that was once perhaps more of a play with Universal Studios or Walt Disney World’s Hollywood Studios, is now also on display. comfortable in an educational institution.

“The ambitious element created increasing expectations,” says Sharpe. “Think about what it was like to walk into a restaurant or cafe a few decades ago compared to what it is now. Our expectations have changed. It’s not just the food. This is the design. We comment on the boards, the design, the soundtrack. Our experience expectations have been raised to 11. ”

It’s no wonder, then, that Girard at the Academy Museum makes reference to Disneyland when he goes through the Oscars experience, especially the fan-made event Dapper Day, in which guests play roles in period specific costumes. Someday, she says, she hopes the Oscars experience will inspire moviegoers to come out in their most fashionable form.

“I hope visitors will embrace the theatricality of the play,” says Girard. “I would love to see visitors dress their best for the Oscars and come have that experience. It would be the dream.


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It’s time to give Enya another listen https://japononline.net/its-time-to-give-enya-another-listen/ https://japononline.net/its-time-to-give-enya-another-listen/#respond Wed, 08 Sep 2021 02:42:50 +0000 https://japononline.net/its-time-to-give-enya-another-listen/ On the long journeys through Ireland that punctuated my childhood like bouts of the flu, my father played songs from a small group of classic albums. Many of them would be familiar to any Irishman of that time. The merry blast of Dubliners, “Live at the Point” by Christy Moore and the serious and heart-wrenching […]]]>

On the long journeys through Ireland that punctuated my childhood like bouts of the flu, my father played songs from a small group of classic albums. Many of them would be familiar to any Irishman of that time. The merry blast of Dubliners, “Live at the Point” by Christy Moore and the serious and heart-wrenching confessionals of Eleanor McEvoy and Mary Black all made up the soundtrack of our meandering journeys through the endless shades of green that formed the Irish countryside. But none of these artists struck me as my father’s personal favorite, Enya.

My father’s fascination with Enya was mysterious. His music was unlike anything else he was listening to, but it also wasn’t like the music someone else makes. Enya’s music is imbued with an aura of mysticism so nebulous that it borders on the occult; nonetheless, it delighted a man so Catholic that he interrupted family vacations with joyful visits to Marian shrines. The worldwide success of this mix of traditional Irish music and new-age electro was unlikely given that the bulwark of its fandom, in Ireland at least, seemed to be people like my father: rank traditionalists entering their fifties. , of which few would have tolerated synthesizers, arpeggiated strings or heavy reverberation in any other sound context.

I, a young fan of ambient music, loved Enya for its place in the canon of this genre. I was mesmerized by the folding synthscapes of “Caribbean Blue” Where “Sumiregusa (Wild Violet)”, that struck my childhood ears like probes from a distant planet. Its melodies repeated and intertwined; her voice sparkled and shone, new and old, alien and familiar at the same time.

It just bothered me to see my dad moved in the same way. After all, even Aphex Twin’s most calming ambient works often made him unplug my CD player, as if their non-traditional musical forms could damage our wiring. How, then, could Enya make this same man cry?

It helped that she was local. As a child, Eithne Brennan grew up not far from Mullennan, my home, in one of the most prestigious families in the history of traditional Irish music. She left the Brennan group, clandestine, at a young age, armed himself with Japanese synths and created a strange musical form all his own. By the time I was a teenager, Clannad’s shy little sister had become one of the best-selling recording artists on Earth.

In the spiraling melody of “Aldebaran” there is euphoria and gravity, as well as something that approaches terror.

When I was a teenager, Enya was extremely famous but never particularly cool, at least not among people my age. I loved Enya for the sound worlds she mapped out for her listeners: filled with pomp and grandeur, yes, but also with rivers of deep and intense wonder. I found in his music that same pinch of infinity that I felt while listening “An end (ascent)”, by Brian Eno, Where “Polynomial-C”, by Aphex Twin. Yet when I tried to portray her as a peer of these artists, the looks I received were blank and full of pity. The images that spouted out of Enya’s album covers and videos were infallibly serious, both too campy to be serious and too serious to be camped. Despite all its peculiar complexity, my classmates rated Enya easy listening, on par with Pan Muzak’s flute.

This skepticism was likely due to the mythological visual style Enya built around her: she lived in a castle, rarely gave interviews, or performed live. Her videos present her as an ethereal being, constantly surrounded by 400 lighted candles, carrying a wardrobe bequeathed to her by a fairy queen who had too many velvet cloaks lying around and hated to see them get lost. This imagery made Enya a world of her own.

Nothing characterizes this more than my favorite Enya track, the seductive “Aldebaran.” He first found fame as part of the soundtrack she composed for the BBC documentary “The Celts”, a 10-part series that told the story of the Celtic people from prehistoric times to 1987. With Irish-language voices delivered to Enya’s breath, “Aldebaran” blends the Irish past with the future through a crazy story of intergalactic journeys. The production is beat-free and always sinuous, surrounded by a corusing and arpeggiated riff which tumbles between major and minor chords in a cycle of atmospheric uproar. In her spiraling melody there is euphoria and gravity, as well as something approaching terror (she dedicated the song to Ridley Scott). Beneath the song’s chords and panting vocals, an alien undercurrent has smuggled aboard – a reminder that in space no one can hear you sing.

Enya’s music has other unique attractions. If you visit his Twitter page, you might be recommended not only Phil Collins and Tina Turner, but also Bob Ross: even the algorithm seems to know his work is contemplative and therapeutic. Enya’s characteristics – angelic wash of reverberation, voice ready for ASMR; its deeply textured, layered synths – were soothing to me on long trips as a child. They still provide a portal to long-dead worlds and distant stars, but also a town a few parishes from mine.

Nowadays when I recommends Enya, and “Aldebaran” in particular, the ears are not as deaf as before. The cosmos can now listen to her whispered call to awaken, whether she knows it or not. I hope she does, and that somewhere, dressed in velvet, Enya sometimes still plays “Aldebaran”. Bringing another candle to another window, could she look out the stone walls of her castle and once again point her face to the stars?


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Their Mortal Remains exhibit kicks off in Los Angeles with drummer Nick Mason – Daily News https://japononline.net/their-mortal-remains-exhibit-kicks-off-in-los-angeles-with-drummer-nick-mason-daily-news/ https://japononline.net/their-mortal-remains-exhibit-kicks-off-in-los-angeles-with-drummer-nick-mason-daily-news/#respond Fri, 03 Sep 2021 23:40:36 +0000 https://japononline.net/their-mortal-remains-exhibit-kicks-off-in-los-angeles-with-drummer-nick-mason-daily-news/ Nick Mason, drummer for British rock band Pink Floyd, officially launched Pink Floyd: Their Mortal Remains, an immersive exhibit that will run daily through January 9, 2022, at the Vogue Multicultural Museum in Los Angeles on Friday, September 3. . As fans of all ages with opening day tickets lined the sidewalks on Hollywood Boulevard, […]]]>

Nick Mason, drummer for British rock band Pink Floyd, officially launched Pink Floyd: Their Mortal Remains, an immersive exhibit that will run daily through January 9, 2022, at the Vogue Multicultural Museum in Los Angeles on Friday, September 3. .

As fans of all ages with opening day tickets lined the sidewalks on Hollywood Boulevard, Mason strolled through the exhibit, which features over 350 Pink Floyd artifacts, including oversized stage sets, props and private collectibles from the band members themselves, such as instruments, handwritten song lyrics, original artwork and more.

Mason stopped in front of an exhibition of his “Hokusai Wave” drum kit, which features the painting “The Great Wave” by Japanese artist Hokusai. Inspired by a tour of Japan, Mason commissioned artist Katy Hepburn to paint the drumheads in 1973.

“It’s just one of my favorite paintings anyway, but we used it as our tour logo in 1972, I think,” he said, examining the vintage Ludwig drum kit. “It went very well and I like it a lot. I like the drums as a kind of art object. I have a lot of affection for it, in fact I get another kit made to be more or less the same because I don’t want to take this one out on tour so I’m making a new one.

The exhibit was originally scheduled to open in early August, but was postponed for a month as shipping containers filled with parts for the exhibit were delayed due to COVID-19. Pink Floyd: Their Mortal Remains has already been seen by hundreds of thousands of fans in Europe, notably at the Victoria and Albert Museum in London.

Los Angeles-based promoter Diego Gonzalez was one of those patrons and said he knew he had to bring the experience to Southern California. Gonzalez, who brought exhibitions to Mexico City featuring works by directors Tim Burton and Guillermo Del Toro and Swiss artist HR Giger, said he was impressed with the quality of this traveling multisensory exhibition as it gave the both unconditional fans and new generations have the opportunity to discover the group’s live show in a museum.


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Former Richland woman wins 2 more Paralympic medals in Japan https://japononline.net/former-richland-woman-wins-2-more-paralympic-medals-in-japan/ https://japononline.net/former-richland-woman-wins-2-more-paralympic-medals-in-japan/#respond Wed, 01 Sep 2021 00:47:00 +0000 https://japononline.net/former-richland-woman-wins-2-more-paralympic-medals-in-japan/ Roxanne Trunnell rides Dolton in the individual equestrian dressage event at the Tokyo 2020 Paralympic Games. She won a gold medal in that event. Paralympic Games Roxanne Trunnell will leave the 2020 Japan Paralympic Games with three medals, including two gold. She became the first American to win a gold medal in the sport in […]]]>

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Roxanne Trunnell rides Dolton in the individual equestrian dressage event at the Tokyo 2020 Paralympic Games. She won a gold medal in that event.

Roxanne Trunnell will leave the 2020 Japan Paralympic Games with three medals, including two gold.

She became the first American to win a gold medal in the sport in 25 years.

The top-ranked rider who grew up in Richland won a second gold in her final event Monday in the year 1 individual free dressage test.

The day before, Trunnell, with her teammates Rebecca Hart of Erie, PA; and Kate Shoemaker of Wellington, Florida; won a bronze medal in the music team test at the Tokyo 2020 Paralympic Games.

It was the first medal for the US Paralympic dressage team.

And last week, Trunnell – on his horse, Dolton – won gold in the individual dressage event, year 1.

“I just wanted a good test. It was really good to ride with the music all the time. The experience (at Tokyo 2020) has been really enjoyable, ”she said in the statement.

“Everyone here is so happy and friendly, making everyone in the barn happy, it’s just fun,” she said.

And the 36-year-old already has the Los Angeles 2028 Paralympic Games in mind.

“The better we start doing, people know us and that makes people more aware. Competing in LA is part of my schedule, ”she said.

On Sunday, Trunnell had the best score among Team USA’s three contenders, scoring 80.321%. In total, the United States team scored 224.352 points in total.

His final score which won him gold on Monday was 86.927%.

She has competed in the games as the world’s top ranked para-dressage athlete, according to the FEI Individual Para-Dressage Rankings.

Roxanne_Trunnell_Gold_Podium.jpg
Richland’s Roxanne Trunnell won the Grade I individual dressage test with her 9-year-old horse, Dolton, at the Tokyo 2020 Paralympic Games. American equestrian

She also competed in the Paralympic Games in Brazil.

Trunnell grew up loving horses and made a name for herself in dressage competitions when she developed encephalitis, an inflammation of the brain.

It was later discovered that she had suffered a stroke after contracting the H1N1 virus in 2009, when she was 23 years old.

Trunnell was diagnosed with cerebellar ataxia, which impacted his fine motor skills.

Her family eventually moved from Washington to Texas, where she continued her therapy and rode and worked with a trainer to fulfill her childhood dream of making it to the Olympics.

Jeff Morrow is the former sports editor of the Tri-City Herald.

Related Stories from Tri-City Herald


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Japanese Breakfast shares new song “Glider” from video game soundtrack https://japononline.net/japanese-breakfast-shares-new-song-glider-from-video-game-soundtrack/ https://japononline.net/japanese-breakfast-shares-new-song-glider-from-video-game-soundtrack/#respond Sat, 28 Aug 2021 04:30:13 +0000 https://japononline.net/japanese-breakfast-shares-new-song-glider-from-video-game-soundtrack/ Japanese Breakfast shares new song “Glider” from video game soundtrack Sable Soundtrack and video game due September 24 via Sony Music Masterworks August 27, 2021 By Mark Redfern Photography by Tonje Thilesen Japanese Breakfast (aka Michelle Zauner) directed the soundtrack for the video game Sable, who will be released on September 24 via Sony Music […]]]>

Japanese Breakfast shares new song “Glider” from video game soundtrack

Sable Soundtrack and video game due September 24 via Sony Music Masterworks

August 27, 2021

Photography by Tonje Thilesen

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Japanese Breakfast (aka Michelle Zauner) directed the soundtrack for the video game Sable, who will be released on September 24 via Sony Music Masterworks, the same date the game is slated for release. Now, she’s shared another song from the soundtrack, “Glider,” which she first teased in 2018. Listen below, followed by the tracklist and the soundtrack’s cover art.

Zauner said this about the soundtrack in a press release: “I was so lucky that Daniel Fineberg and Gregorios Kythreotis from Shedworks invited me to this game so early. I was immediately captivated by the world they had built, a desert planet filled with mysterious natural and architectural wonders, and the story they had imagined, that of a young girl growing up through exploration. It was important to me that every biome in this world felt unique. I used woods and vocal layers to make the monumental ruins feel like old and unknown, industrial samples and soft synths to give the atomic ships a cold and metallic feel, classical guitar and piano shiny so that the camps are comfortable and familiar. I wanted the main themes to be reminiscent of the iconic works of Joe Hisaishi and Alan Menken, to fill the listener with the childlike wonder of someone on the verge of a great discovery.

Sable is an open-world adventure game from indie game developer Shed works and publisher Raw Fury and it will be available for the Xbox Series X | S, Xbox One, and PC.

In June, a trailer for the game was released, containing part of a new Japanese breakfast song, “Better the Mask.” She previously performed “Glider” during the Summer Game Fest livestream.

In June, Japanese Breakfast released a new album, Jubilee, via Dead Oceans (stream it here). At the time, we published our rave review for the album (read that here).

Japanese Breakfast is on the cover of our last issue in print (purchase a copy direct from us here to read the in-depth cover story).

When Jubilee was announced that Zauner has shared his debut single, “Be Sweet” (which was # 1 on our songs of the week), and would later continue performing it on Tonight’s Show with Jimmy Fallon. Then she shared a self-made video for the second single from the album “Posing in Bondage”, which was also # 1 on our songs of the week list. Then she shared her third single, “Savage Good Boy,” via a self-directed video in which she co-starred with actor Michael Imperioli from The Sopranos. “Savage Good Boy” was # 2 on our song of the week list. Upon the album’s release, the closer epic album “Posing For Cars” was once again # 1 on our songs of the week list. Then she performed three songs from the album on CBS this morning and was interviewed on the show. Then she performed “Paprika” on Jimmy Kimmel Live!.

In a previous press release, Zauner had said this about his new album: “I never wanted to rest on laurels. I wanted to go as far as possible, inviting more people and pushing myself as a composer, producer, arranger.

Zauner’s most recent album, Sweet sounds from another planet, was released in July 2017 on Dead Oceans and was one of our Top 100 Albums of 2017.

Read our 2017 interview with Japanese Breakfast on Sweet sounds from another planet.

In April, Zauner published his first memoirs, Crying in H Mart, on Knopf. The book debuted in 2nd place on The New York Times“Best-selling hardcover non-fiction book list.” Crying in H Mart talks in part about Zauner’s mother’s death from cancer and how the two bonded over Korean food. It has since been announced that the book is being adapted into a feature film by MGM’s Orion Pictures. Japanese Breakfast is also the soundtrack for the film, which will be produced by Stacey Sher and Jason Kim. Read our opinion on Crying in H Mart.

Sand (Original Video Game Soundtrack) List of tracks:

1. Main menu
2. Glider
3. Better the mask
4. The Ewer (Day)
5. The Ewer (Night)
6. Eccria (day)
7. Eccria (Night)
8. Campfires
9. Exploration (Ships)
10. Exploration (Ruins)
11. Exploration (Nature)
12. Beetle nest
13. Glowworm Cave
14. Ruin of Pyraustas
15. Badlands (night)
16. Hakoa (day)
17. Hakoa (Night)
18. Sansee (day)
19. Sansee (Night)
20. Redsee (day)
21. Washing (day)
22. Friends’ hideout
23. Scarab Detour
24. Theme of the machinist
25. Cartographer’s theme
26. Mask launcher theme
27. Playful children
28. Camp Ibexxi (Day)
29. Ibexxi Camp (night)
30. Burnt Oak Station (day)
31. Burnt Oak Station (night)
32. Abandoned land

Japanese Breakfast Tour Dates:

08/28 – Lexington, KY @ Festival Railbird
9/10 – Boston, MA @ Royale * – SOLD OUT
9/11 – Asbury Park, NJ @ Stone Pony Summer Stage – SOLD OUT
12/9 – Harrisburg, PA @ Harrisburg Midtown Arts Center *
9/14 – Columbus, OH @ The Athenaeum Theater *
9/15 – Chicago, IL @ Thalia Hall * – SOLD OUT
9/16 – Chicago, IL @ Thalia Hall * – SOLD OUT
9/17 – Milwaukee, WI @ Turner Hall *
9/18 – Madison, WI @ Majestic Theater * – SOLD OUT
19/9 – Minneapolis, MN @ First Ave *
9/21 – Ogden, UT @ Ogden Twilight + – SOLD OUT
09/23 – Boise, ID @ Treefort Festival
24/9 – Eugene, OR @ WOW Hall * – SOLD OUT
09/25 – Seattle, WA @ Neptune * – SOLD OUT
9/26 – Seattle, WA @ Neptune * – SOLD OUT
9/27 – Seattle, WA @ Neptune * – SOLD OUT
9/28 – Portland, OR @ Crystal Ballroom * – SOLD OUT
9/30 – San Francisco, CA @ Regency Ballroom * – SOLD OUT
10/1 – San Francisco, CA @ Regency Ballroom * – SOLD OUT
10/2 – Los Angeles, CA @ The Regent * – SOLD OUT
10/3 – Los Angeles, CA @ The Regent * – SOLD OUT
10/4 – San Diego, CA @ Observatory North Park * – SOLD OUT
10/5 – Las Vegas, NV @ Brooklyn Bowl *
10/7 – Santa Fe, NM @ Meow Wolf * – SOLD OUT
10/8 – Denver, CO @ Ogden Theater * – SOLD OUT
10/9 – Lawrence, KC @ Granada Theater *
10/10 – St Louis, MO @ Delmar Hall * – SOLD OUT
11/10 – Chicago, IL @ Thalia Hall * – SOLD OUT
12/10 – Chicago, IL @ Thalia Hall * – SOLD OUT
10/14 – Brooklyn, NY @ Brooklyn Steel * – SOLD OUT
10/15 – Brooklyn, NY @ Brooklyn Steel * – SOLD OUT
10/16 – Brooklyn, NY @ Brooklyn Steel * – SOLD OUT
10/17 – Brooklyn, NY @ Brooklyn Steel # – SOLD OUT
10/29 – Dallas, Texas @ Studio at the Factory ^
10/30 – Houston, Texas @ White Oak Music Hall ^
11/1 – San Antonio, Texas @ Paper Tiger ^
11/3 – Tucson, AZ @ Club Congress (Outside plaza) ^
11/4 – Tempe, AZ @ Coca-Cola Sun Deck at Sun Devil Stadium ^
7/11 – Berkeley, CA @ UC Theater ^
9/11 – Sacramento, CA @ Ace of Spades ^
11/11 – Sonoma, CA @ Gundlach Bundschu Winery ^
12/11 – San Luis Obispo, CA @ Madonna Inn ^
11/13 – Santa Cruz, CA @ The Catalyst ^
11/14 – Perris, CA @ Desert Daze ^
11/15 – Pomona, CA @ The Glass House ^ – SOLD OUT
10/16 – Pomona, CA @ The Glass House ^
25/3 – Bristol @ SXW
26/3 – Manchester @ Academy 2
27/3 – Glasgow @ St. Luke’s
28/3 – Leeds @ Brudenell Community Hall
3/30 – London @ Kentish Town Forum

* with Luna Li
~ with the spirit of the hive
+ with Portugal. The man
^ with SASAMI

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NCT’s new album 127 sold a million copies in one day https://japononline.net/ncts-new-album-127-sold-a-million-copies-in-one-day/ https://japononline.net/ncts-new-album-127-sold-a-million-copies-in-one-day/#respond Tue, 24 Aug 2021 22:30:08 +0000 https://japononline.net/ncts-new-album-127-sold-a-million-copies-in-one-day/ SEVILLE, SPAIN – NOVEMBER 03: Members of NCT 127 pose in the winners hall during MTV EMAs 2019 at … [+] FIBES Conference and Exhibition Center on November 03, 2019 in Seville, Spain. (Photo by Stéphane Cardinale – Corbis / Corbis via Getty Images) Corbis via Getty Images NCT 127’s new album Sticker Shouldn’t drop […]]]>

NCT 127’s new album Sticker Shouldn’t drop for more than three weeks, but it has already become a bestseller in the band’s home country of South Korea, proving once again that they rank among the most popular musical groups. of the country … and beyond.

The boy group’s next album Sticker was recently made available to fans for pre-order, and their significant number of fans have been rushing to secure their copy in large numbers. According to Naver, NCT’s new feature film 127 has sold 1.329 million copies from day one it was available to order.

It’s not uncommon for highly anticipated projects from the biggest names in the South Korean music industry to rack up hundreds of thousands of sales or even pre-orders when they are first released, as the market is still focused on them. purchases, as opposed to rivers, to which many western territories have passed. While the number of big sales is common, selling a million CDs in a single day is almost unheard of, and only the most successful acts can come close to this milestone.

MORE FORBESStray Kids, the Boyz, Astro, Cravity and TXT: K-Pop Boy’s most anticipated releases in August

Sticker will be NCT 127’s third Korean-language feature film and their fourth overall, as they also released a Japanese project. The track is expected to be promoted with the lead single “Sticker”, which could easily become a huge hit as well.

With over a million pre-orders already registered, Sticker is almost guaranteed to open at No.1 on the South Korean charts. When it does, that will bring NCT 127 back to No. 1 on the Gaon Albums chart for the seventh time, and the track will instantly become their ninth top 10 in the country.

If sales figures specific to the US market are not yet available, Sticker could easily become another major hit on the Billboard 200 when it hits a month or so. NCT 127 narrowly missed the top 10 overall in 2019 when their EP We are superhuman peaked at No. 11, then last year their entirety Neo Zone rose to No.5, making them one of the few South Korean boy groups to break into the top tier of the tally. They have a very good chance of repeating this demonstration next month, because Sticker has got off to an incredible start and the promotion is just beginning.

MORE FORBESRed Velvet, Blackpink, and Weekly: Most Anticipated K-Pop Girl Group Outings Coming In August


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